{"id":242,"date":"2012-09-17T01:38:44","date_gmt":"2012-09-17T01:38:44","guid":{"rendered":"https:\/\/asinlife.com\/?p=242"},"modified":"2014-12-02T22:16:17","modified_gmt":"2014-12-02T22:16:17","slug":"242","status":"publish","type":"post","link":"https:\/\/asinlife.com\/?p=242","title":{"rendered":"Thus"},"content":{"rendered":"<div>\n<div>\n<h1>21 September 2012 &#8211; 13 October 2012<\/h1>\n<\/div>\n<div>\n<p><a href=\"http:\/\/www.westspace.org.au\">West Space<\/a><\/p>\n<\/div>\n<p>This exhibition investigates the reliability of signs in the \u2018documentation\u2019 of sculptural objects. The gap between a photograph of the object and the object itself is explored through the idea of \u2018a copy without an original\u2019. This notion of the copy is extended to the objects themselves that are castings of objects and thus already detached from their referents, displaced from their original signification. The photographic image is not the same as the \u2018thing\u2019; it is something very different materially, perceptually and semiotically. We have embraced ideas of simulacra and the understanding that the sign is not the thing, and we are often skeptical about the construction of photographic images in the digital age. So why do we take photographic documentation of art objects as representing those same objects? Why do we presume that the photograph somehow captures, that it is indexed to an object?<\/p>\n<p>We think we know what something is, but we only know the idea of what it may be. This exhibition questions the presumptions of why we take the photograph as evidence of a pre-existent object. Instead proposing the photograph as something quite independent and <a title=\"thus polaroids\" href=\"https:\/\/asinlife.com\/?page_id=257\">unique<\/a> from the object it seems to <a title=\"Thus\" href=\"https:\/\/asinlife.com\/?page_id=247\" target=\"_blank\">refer<\/a>.<\/p>\n<p><a href=\"https:\/\/asinlife.com\/wp-content\/uploads\/2012\/09\/yield-bronze-polyurethane.jpg\" rel=\"shadowbox[sbpost-242];player=img;\" title=\"yield bronze polyurethane\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-243\" title=\"yield bronze polyurethane\" alt=\"\" src=\"https:\/\/asinlife.com\/wp-content\/uploads\/2012\/09\/yield-bronze-polyurethane.jpg\" width=\"567\" height=\"378\" srcset=\"https:\/\/asinlife.com\/wp-content\/uploads\/2012\/09\/yield-bronze-polyurethane.jpg 567w, https:\/\/asinlife.com\/wp-content\/uploads\/2012\/09\/yield-bronze-polyurethane-300x200.jpg 300w, https:\/\/asinlife.com\/wp-content\/uploads\/2012\/09\/yield-bronze-polyurethane-500x333.jpg 500w\" sizes=\"auto, (max-width: 567px) 100vw, 567px\" \/><\/a><a href=\"https:\/\/asinlife.com\/wp-content\/uploads\/2012\/09\/Thus1.jpg\" rel=\"shadowbox[sbpost-242];player=img;\" title=\"Thus1\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-245\" title=\"Thus1\" alt=\"\" src=\"https:\/\/asinlife.com\/wp-content\/uploads\/2012\/09\/Thus1.jpg\" width=\"567\" height=\"378\" srcset=\"https:\/\/asinlife.com\/wp-content\/uploads\/2012\/09\/Thus1.jpg 567w, https:\/\/asinlife.com\/wp-content\/uploads\/2012\/09\/Thus1-300x200.jpg 300w, https:\/\/asinlife.com\/wp-content\/uploads\/2012\/09\/Thus1-500x333.jpg 500w\" sizes=\"auto, (max-width: 567px) 100vw, 567px\" \/><\/a><\/p>\n<p><a href=\"https:\/\/asinlife.com\/wp-content\/uploads\/2012\/09\/rope-float.jpg\" rel=\"shadowbox[sbpost-242];player=img;\" title=\"rope float\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-244\" title=\"rope float\" alt=\"\" src=\"https:\/\/asinlife.com\/wp-content\/uploads\/2012\/09\/rope-float.jpg\" width=\"425\" height=\"638\" srcset=\"https:\/\/asinlife.com\/wp-content\/uploads\/2012\/09\/rope-float.jpg 425w, https:\/\/asinlife.com\/wp-content\/uploads\/2012\/09\/rope-float-199x300.jpg 199w, https:\/\/asinlife.com\/wp-content\/uploads\/2012\/09\/rope-float-333x500.jpg 333w\" sizes=\"auto, (max-width: 425px) 100vw, 425px\" \/><\/a><\/p>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>21 September 2012 &#8211; 13 October 2012 West Space This exhibition investigates the reliability of signs in the \u2018documentation\u2019 of sculptural objects. The gap between a photograph of the object and the object itself is explored through the idea of \u2018a copy without an original\u2019. This notion of the copy is extended to the objects [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-242","post","type-post","status-publish","format-standard","hentry","category-uncategorized"],"_links":{"self":[{"href":"https:\/\/asinlife.com\/index.php?rest_route=\/wp\/v2\/posts\/242","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/asinlife.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/asinlife.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/asinlife.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/asinlife.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=242"}],"version-history":[{"count":1,"href":"https:\/\/asinlife.com\/index.php?rest_route=\/wp\/v2\/posts\/242\/revisions"}],"predecessor-version":[{"id":246,"href":"https:\/\/asinlife.com\/index.php?rest_route=\/wp\/v2\/posts\/242\/revisions\/246"}],"wp:attachment":[{"href":"https:\/\/asinlife.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=242"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/asinlife.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=242"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/asinlife.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=242"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}