Constantly deferring objects, remade in another material / another finish, re-imaged in another setting; a different photographic referent. Clusters of objects as chains of signifiers, temporarily connected, always unstable and without determinate signifieds. Is not this not the curator’s anxiety, the historian’s impossibility; objects that have no definitive material, no fixed date, no definitive arrangement, an interchangeability of photographic referent and object reproduction, an uncertainty of title? Seemingly solid objects with visceral presence, handled and weighed as though picked up on the beach, on the side of the road or in architectural ruins. Thus the conundrum for the inscription of these objects as art; the floating signifier, deferred remains/reminders.